For producers and musicians

Keep your beats. Skip the artist. Own the record.

You do not need AI to make your music. You need it to do the one thing that was always out of your hands: put a voice on your beat, on your schedule, so you can release it under your own name and get paid like a label.

Let's be honest

Producers hate AI music. Producers are also the ones it pays best.

A text box making a beat in thirty seconds feels like an insult to the craft. Fair. But that text box makes generic songs for people who cannot make music. You can.

Where you were stuck was never the beat. It was the artist who never recorded, the session that never happened, the folder of finished tracks nobody ever heard. That is the part AI removes, and your beat never has to touch it.

This is the future of music. The producers who own the beat, the vocal and the release own the whole check.

Your line, your call

Three ways to work. None of them hand your beat to a machine.

Lane 1

No AI in the music

Your production is 100% yours. Use the academy for research, release and marketing only.

Lane 2

AI as the artist

Your beat, your mix. An AI vocalist sings the topline you wrote. Released under your name.

Lane 3

AI as a supplement

Sketch fast with AI, then replace parts with real playing, real vocals and your mix.

What changes for you

From beat seller to record owner.

Your backlog becomes a catalog

Every finished beat in the folder is a release waiting on a voice. Now the voice is on demand.

Demos that sell the beat

Send artists a finished-sounding song instead of a naked loop. They hear the hit, then they hear themselves on it.

The featured artist never cancels

No chasing, no ghosting, no session that never happens. You decide when the record comes out.

Your name on the record

Producer-led releases are a proven model. Your catalog, your royalties, your featured artist.

Two audiences from one release

Producers follow producers. Listeners follow voices. Cook-ups and reveals warm both up at once.

Income around the beat

Placements, sync, custom songs, leases and ghost production all sell better with a full song attached.

Musicians too

Real playing is the edge. Shipping is the business.

Guitarists, pianists, horn players, singer-songwriters, bands. The songs in your voice memos never got finished because finishing needed other people. Now they do not. Play the real parts, let AI handle what is missing, and put your hands on camera. That is content a machine cannot make.

Inside the Producer Track

  • +Directing an AI vocal like a session singer
  • +Working from your own uploaded audio, not a prompt
  • +Demo templates that sell beats to human artists
  • +Ownership, tool terms and split agreements
  • +Producer-led releases with your name first
  • +Cook-ups, reveals and breakdowns that market the record
  • +Six income streams that grow when the demo sounds finished
  • +A musician's playbook for real instruments and fast releases

Producer pricing

Less than one artist who never shows up.

Both include the full academy. The Producer Track is where your beats come in.

Best for most producers

Producer Edition

$497 one time, lifetime access

The full academy plus the Producer Track. Your beats, an artist on demand, releases under your name.

  • +Every core module and the capstone
  • +The complete Producer Track
  • +Vocal direction, demo-template and split checklists
  • +Lifetime access with every future update
Get the Producer Edition

Launch pricing. Rises when the first 50 producer seats are gone.

Producer Studio

$1,497 one time

For producers with a backlog who want it moving now.

  • +Everything in Producer Edition
  • +Release reviews on your first three producer-led singles
  • +Feedback on your vocal direction, demos and content
  • +A private call to plan your first release
Apply for Producer Studio

Questions producers ask

Before you enroll

I do not want AI making my beats. Is this for me?+

Yes. That is the point of the track. Your production stays yours. AI takes the seat of the artist you never had to chase, or it stays out of the music entirely and only handles research, release and marketing. You decide the line, and the track shows you how to work on either side of it.

Can I put an AI vocal on my own beat, not a generated one?+

That is the core workflow. You bring your finished instrumental in, write the topline and lyric, and direct the vocal like a session singer. The record is built on your production, not a re-imagined version of it.

What about artists I already work with?+

You will send them better demos. A finished-sounding song with a placeholder vocal sells a beat far better than a naked loop, and the artist simply replaces the voice. The track also covers how to set splits before that session.

Who owns the music?+

Your beat, arrangement, lyrics and melody are yours, as they always were. What a tool allows with its generated vocal depends on its current terms, and the track gives you a checklist for reading and saving those terms before every release.

I am a musician, not a producer. Does this apply?+

There is a module written for instrumentalists, singer-songwriters and bands. Real playing is your edge. AI is how you finish and release without waiting on a singer, a producer or a budget.

Your folder is a catalog waiting on a voice.

Do not get left behind by the thing you are best positioned to win.

Get the Producer Edition